the boy in the striped pajamas

            Bruno is a nine-year-old boy growing up during World War II in Berlin with his loving family. He lives in a huge house with his parents, his twelve-year-old sister Gretel (whom he refers to as a Hopeless Case) and maid servants called Maria and Lars. His father is a high-ranking SS officer who, after a visit from Adolf Hitler (referred to in the novel as The Fury which Bruno misshears [like with Out-With] and should be Fuhrer) and Eva Braun, is promoted to 'Commandant', and to Bruno's dismay the family has to move away to a place called Out-With (which turns out to be Auschwitz).
           When Bruno gets there he feels a surge of homesickness after leaving behind his family, grandparents, and his three best friends for life. He is unhappy with his new home. It only has three floors, there are always soldiers coming in and out of the house and there are no good banisters to slide down. Bruno is lonely and has no one to talk to or play with and the house is so small that there is no exploring to be done. However, one day while Bruno is looking out of his window he notices a bunch of people all wearing the same striped pyjamas and striped hats or bald heads. As he is a curious child, Bruno asks his sister who these people are, but she does not know. His father tells him that these people are not real people at all. They are Jews. Gretel has changed from a normal young girl into a strong Nazi with the help of her tutor, Herr Lizst, but Bruno does not seem to take the same stance as Gretel. He still prefers adventure books to history books though. There is also a soldier called Llewelyn Kotler who is violent in his ways and shows his disapproval to the Jewish prisoner, Pavel. Pavel works around the house and is always treated like slime by Llewelyn Kotler. One day Bruno falls off his swing and Pavel helps him dress the wound. Bruno, in his naivety, asks if his Mother should take him to a doctor, meets a reply from Pavel saying that he is a doctor.
           Bruno finds out he is not allowed to explore the back of the house or its surroundings, and his father is very stern in forbidding him to do so. Due to the combination of curiosity and boredom, he decides to explore. He spots a boy on the other side of the fence. Excited that there might be a boy his age, Bruno introduces himself, blissfully unaware of the situation on the other side of the fence. The Jewish boy's name is Shmuel. He was taken from his family and forced to work in Auschwitz. Almost every day, they meet at the same spot. Soon, they become best friends. Bruno and Shmuel even shared the same birthday. They are basically the same person born into different circumstances, one a Polish Jew, the other a German. He, across the book shows a great deal of naivety whilst his friend Shmuel seems to have more knowledge of his surrounding as he has felt the suffering first-hand.
The story ends with Bruno about to go back to Berlin with his mother and sister on the orders of his father. As a final adventure, he agrees to dress in a set of striped pyjamas and goes in under the fence to help Shmuel find his father, who went missing in the camp. The boys are unable to find him. Just as it starts to rain and get dark, Bruno decides he would like to go home, but they are rounded up in a crowd of people by the Nazi guards who start them on a march.
          Neither boy knows where this march will lead. However, they are soon crowded into a gas chamber, which Bruno assumes is a place to keep them dry from the rain until it stops. The author leaves the story with Bruno pondering, yet unafraid, in the dark holding hands with Shmuel. "...Despite the chaos that followed, Bruno found that he was still holding Shmuel's hand in his own and nothing in the world would have persuaded him to let go".
          In an epilogue, Bruno's family spent several months at their home trying to find Bruno, before his mother and Gretel return to Berlin, only to discover he is not there as they had expected. A year afterwards, his father returns to the spot that the soldiers found Bruno's clothes (the same spot Bruno spent the last year of his life) and, after a brief inspection, discovers that the fence is not properly attached at the base and can form a gap big enough for a boy of Bruno's size to fit through. Using this information, his father eventually pieces together that they gassed Bruno to death. Several months later, the Red Army arrives to liberate the camp and orders Bruno's father to go with them. He goes without complaint, because "he didn't really mind what they did to him any more", believing his loss of his son and arrest were consequences for his anti-Semitic war crimes.(wikipedia)

seperti sinetron

this is life, dengan segitu banyaknya permasalahan yang setiap hari dialami manusia, dan segala pilihan-pilihan, life is always life, and we should live our life. Kadang - kadang jadi ngerasa kalo hidup tuh kaya sinetron stripping yang tiap hari ditayangin di tivi. Ternyata dalam hidup tuh juga ada yang namanya aktris/aktor, sutradara, script writer, music director, produser. Bedanya kalo dalam kehidupan nyata kita yang berperan sebagai aktris/aktor, plus sutradara,plus jadi script writer, ngerangkep juga sebagai music director, dan Tuhan lah yang berperan sebagai produser. How it goes? How come ?. This is the answer. Ibarat aktris/aktor, kita yang berperan atau memerankan seorang tokoh dalam hidup kita. Selain itu kita juga ngerangkep jadi sutradara. Layaknya sutradara yang selalu mengatur peran dari aktor/aktrisnya, kita juga mengatur tingkah laku kita sendiri. Kita yang merencanakan dan mengarahkan diri kita sendiri dalam bersikap, bergerak, berperilaku, body language, dan bagaimana ekspresi kita. Scrip writer yang biasanya punya tugas bikin cerita, nyusun kata-kata, ngerangkai huruf demi huruf menjadi sebuah kesatuan kata yang indah, membuat suatu ungkapan kepada orang lain, yaa.. itulah kita, script writer dalam hidup. Selain itu kita juga menjadi music director. Music director lah yang menentukan jenis musik apa yang cocok dengan suasana hati kita, selera musik apa yang memang membuat kita senang, dan juga mendramatisir sebuah cerita hidup dan menuangkannya menjadi sebuah lagu. Tapi dari kesemuanya, tetap produserlah yang mempunyai peranan penting. Tapi tentunya produser menentukan itu semua berdasarkan rating pemirsa, itu yang biasanya terjadi di sinetron, apalagi sinetron stripping. Kalau di sinetron, produserlah yang menentukan alur cerita, ke eksistensian seorang tokoh, menggaji para pemain dan kru sinetron, menentukan apakah tokoh itu bisa muncul lagi di episode selanjutnya atau tidak. Ya, dalam hal ini Tuhan lah yang bertugas sebagai produser. Kalau di kehidupan nyata, Tuhan lah yang menentukan kapan kita bertahan di dunia ini, kapan kita mati, kapan kita bertemu seseorang , kapan kita kehilangan seseorang, karena kita sudah mempunyai takdir. Dan Tuhan lah yang menentukan takdir kita. In the drama series, producer always has a power to do anything. It's almost same with this life. Gos has power to do anything. Will the God continue our life or God will make us die. We can only wait and just wait. So why don't we just wait and while we're waiting, we should take it slow and enjoying this life. Let's do positive and still on the line of God. As long as we do all the good things, i think our life would be wonderful that what we thought.